{"id":6799,"date":"2018-09-28T10:07:30","date_gmt":"2018-09-28T09:07:30","guid":{"rendered":"http:\/\/mitue.de\/?p=6799"},"modified":"2018-09-28T10:09:53","modified_gmt":"2018-09-28T09:09:53","slug":"hey-panopticon-hey-asymmetry","status":"publish","type":"post","link":"https:\/\/mitue.de\/?p=6799","title":{"rendered":"Hey Panopticon! Hey Asymmetry!"},"content":{"rendered":"<p><a href=\"https:\/\/www.flickr.com\/photos\/mitue\/44915956532\/in\/dateposted\/\" title=\"Schinkel 04\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/farm2.staticflickr.com\/1973\/44915956532_4127f3e2a5.jpg\" width=\"500\" height=\"318\" alt=\"Schinkel 04\"><\/a><\/p>\n<p align=\"justify\"><a href=\"https:\/\/de.wikipedia.org\/wiki\/Henrik_Olesen\">Henrik Olesen<\/a> im <a href=\"https:\/\/www.schinkelpavillon.de\/de\/exhibition\/hey-panopticon-hey-asymmetry\/\">Schinkel-Pavillon<\/a><\/p>\n<p><a href=\"https:\/\/www.flickr.com\/photos\/mitue\/44915957822\/in\/photostream\/\" title=\"Schinkel 03\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/farm2.staticflickr.com\/1925\/44915957822_28b88ec46f.jpg\" width=\"500\" height=\"336\" alt=\"Schinkel 03\"><\/a><\/p>\n<p><a href=\"https:\/\/www.flickr.com\/photos\/mitue\/44244927784\/in\/photostream\/\" title=\"Schinkel 02\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/farm2.staticflickr.com\/1903\/44244927784_c559017db0.jpg\" width=\"500\" height=\"341\" alt=\"Schinkel 02\"><\/a><\/p>\n<p align=\"justify\"><a href=\"http:\/\/www.kunstkritikk.no\/kritikk\/shabby-sexy-and-safe\/\">Shabby, sexy \u2013 and safe?<\/a> (Kristian Vistrup Madsen)<\/p>\n<blockquote><p>Every artist that exhibits here [Schinkel Pavilion] is faced with the task of dealing with the particular stringency of this building. <a href=\"http:\/\/mitue.de\/?p=6387\">Oliver Laric<\/a>, whose 3D-printed statues, shown in 2017, possess a similar kind of self-consciously inherited elegance, was almost able to match it, though to a degree that the works nearly disappeared under the glow of the chandelier. This summer, the opulent surroundings seemed suddenly strangely feeble in the company of <a href=\"http:\/\/mitue.de\/?p=6569\">Louise Bourgeois\u2019<\/a> at once abject and monumental pieces. Olesen\u2019s bid is more in line with <a href=\"https:\/\/www.flickr.com\/photos\/mitue\/29312655923\/in\/photolist-LEg2nn\">Jason Dodge<\/a>, who, back in 2016, covered the stone floor in a sea of rubbish.<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.flickr.com\/photos\/mitue\/44244925894\/in\/dateposted\/\" title=\"Schinkel 05\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/farm2.staticflickr.com\/1916\/44244925894_e7403dd44c.jpg\" width=\"500\" height=\"375\" alt=\"Schinkel 05\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Henrik Olesen im Schinkel-Pavillon Shabby, sexy \u2013 and safe? (Kristian Vistrup Madsen) Every artist that exhibits here [Schinkel Pavilion] is faced with the task of dealing with the particular stringency of this building. Oliver Laric, whose 3D-printed statues, shown in 2017, possess a similar kind of self-consciously inherited elegance, was almost able to match it, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[673],"class_list":["post-6799","post","type-post","status-publish","format-standard","hentry","category-ausstellungen","tag-schinkelpavillon"],"_links":{"self":[{"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/posts\/6799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mitue.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6799"}],"version-history":[{"count":2,"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/posts\/6799\/revisions"}],"predecessor-version":[{"id":6801,"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/posts\/6799\/revisions\/6801"}],"wp:attachment":[{"href":"https:\/\/mitue.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mitue.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mitue.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}