{"id":960,"date":"2010-01-24T15:43:11","date_gmt":"2010-01-24T14:43:11","guid":{"rendered":"http:\/\/mitue.de\/?p=960"},"modified":"2010-01-24T15:43:11","modified_gmt":"2010-01-24T14:43:11","slug":"aurelia-sellin-in-andersens-contemporary","status":"publish","type":"post","link":"https:\/\/mitue.de\/?p=960","title":{"rendered":"Aurelia Sellin in Andersen&#8217;s Contemporary"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/mitue\/4297617669\/\" title=\"Aurelia Sellin von mitue bei Flickr\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/farm5.static.flickr.com\/4037\/4297617669_d3827e7ede.jpg\" width=\"500\" height=\"333\" alt=\"Aurelia Sellin\" border=\"0\"><\/a><\/p>\n<blockquote><p>Italienische Bergd\u00f6rfer mit dicht gestaffelten Fassaden; K\u00e4hne, die unter h\u00e4ngenden Zweigen malerisch im Wasser d\u00fcmpeln; ein Sonnenuntergang am See, erhabene Berggipfel oder blo\u00df pl\u00e4tschernder Wellengang im Gegenlicht: F\u00fcr einen Gutteil ihrer Malerei greift Aurelia Sellin auf den Motivfundus der Postkartenidyllen zu und macht sich eine darin angelegte Stilisierung des Blicks zunutze. Der ist im Fokus des Touristischen bereits auf bestimmte Weise gefiltert und verdichtet: Ansichtskarten zeigen, was in Erinnerung bleiben soll, was das Sch\u00f6ne, was das Eigentliche eines Ortes oder einer Landschaft sei \u2013 eben das, was \u201ebildw\u00fcrdig\u201c oder wenigstens daf\u00fcr zu halten ist.<br \/>\n(Jens Asthoff, <a href=\"http:\/\/www.textem.de\/1406.0.html\">hier<\/a>)<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/mitue\/4299893649\/\" title=\"... und Nacht im Wald von mitue bei Flickr\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/farm3.static.flickr.com\/2725\/4299893649_782a8ff6e9.jpg\" width=\"406\" height=\"500\" alt=\"... und Nacht im Wald\" border=\"0\"><\/a><\/p>\n<blockquote><p>It is a great pleasure for <a href=\"http:\/\/www.facebook.com\/event.php?eid=209980366202&#038;ref=mf\">Andersen\u2019s Contemporary to present LAGO, Aurelia Sellin\u2019s second solo exhibition<\/a> with the gallery and the artist&#8217;s first solo exhibition in Berlin. The exhibition displays 12 new paintings.<\/p>\n<p>Sellin\u2019s paintings seem to connect two contradictory tendencies. On the one hand they reduce elemental parts of nature i.e. a landscape, a beach, the sea, a sunset, the moon, a mountain, to their most refined essences. The motives are refined to a degree, where they render natural phenomena in what one might call its most primitive, pure or primal form. Sellin thus touches upon a possible human collective unconsciousness and memory, investigating images that seem almost universal, embedded in all human beings. <\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Italienische Bergd\u00f6rfer mit dicht gestaffelten Fassaden; K\u00e4hne, die unter h\u00e4ngenden Zweigen malerisch im Wasser d\u00fcmpeln; ein Sonnenuntergang am See, erhabene Berggipfel oder blo\u00df pl\u00e4tschernder Wellengang im Gegenlicht: F\u00fcr einen Gutteil ihrer Malerei greift Aurelia Sellin auf den Motivfundus der Postkartenidyllen zu und macht sich eine darin angelegte Stilisierung des Blicks zunutze. Der ist im Fokus [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[232,233],"class_list":["post-960","post","type-post","status-publish","format-standard","hentry","category-ausstellungen","tag-aurelia-sellin","tag-halle-am-wasser"],"_links":{"self":[{"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/posts\/960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mitue.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=960"}],"version-history":[{"count":1,"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/posts\/960\/revisions"}],"predecessor-version":[{"id":961,"href":"https:\/\/mitue.de\/index.php?rest_route=\/wp\/v2\/posts\/960\/revisions\/961"}],"wp:attachment":[{"href":"https:\/\/mitue.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mitue.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mitue.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}