Man darf gespannt sein, in welcher Größenordnung zum 20. Todestag des Künstlers gedacht wird.
Michel Majerus – ein Virtuose der Pop-Melancholie
EARLY WORKS in den Kunstwerken Berlin
Ausstellungsreihe „Michel Majerus 2022„
Posts Tagged ‘Kunstwerke’
Michel Majerus I
Mittwoch, Dezember 28th, 2022Proxies, with a life of their own
Samstag, Dezember 18th, 2021
Understudies: I, Myself Will Exhibit Nothing
Self Portrait
Self as Alenka Zupancic who recounted the joke:
„There are no cannibals here. We ate the last one yesterday“
Self Portrait
Self as Hanna Arendt who when confronted with Germans declaring themselves ashamed of being German, does not mention that she is in fact ashamed of being human.“
Leonilson in den Kunstwerken
Sonntag, März 28th, 2021
Amelie von Wullfen in den Kunstwerken
Mittwoch, März 24th, 2021
To Catch a Fish with a Song
Dienstag, Oktober 1st, 2019To Catch a Fish with a Song: 1964–Today entsteht in Zusammenarbeit mit dem Centre d’Art Contemporain Genève. Mit rund fünfzig Werken liefert die umfassende Retrospektive in den KW einen Überblick über Hreinn Friðfinnssons Schaffen, das sich mittlerweile über ein halbes Jahrhundert erstreckt. Es ist zudem die erste institutionelle Einzelausstellung des isländischen Künstlers in Deutschland.
In the early 1970s, the Icelandic artist Hreinn Friðfinnsson (b. 1943, Iceland) placed an advert in a Dutch art magazine asking people to send him their secrets. By posing as a collector of secrets, the artist would, he thought, allay suspicions that he had any ulterior motive in using or revealing privileged information that might come his way. It is like something from a novel by José Saramago, or an urban myth or rumour. The secret, Fridfinnsson may be telling us, is that there isn’t one. His art, on the other hand, is an invitation to imagine that there might be. (here)
Frieda Toranzo Jaeger
Montag, September 30th, 2019
In den KW ist in der Ausstellung
The Making of Husbands: Christina Ramberg in Dialogue
auch eine Installation von Frieda Toranzo Jaeger „… and yet we are becoming“ aufgebaut.
Beatriz Gonzalez
Freitag, Oktober 19th, 2018
Retrospective 1965-2017 in den Kunstwerken
Beatriz González in den Kunst-Werken
Wenn Farben lügen https://t.co/XbCdps1amV— Kunstspaziergänger (@mitue) 26. Oktober 2018
Berlin Biennale 10 (5)
Freitag, August 24th, 2018
Berlin Biennale 10 (4)
Freitag, August 24th, 2018
Where are the heroes?
Lorena Gutierrez Camejo
Berlin Biennale 10 (3)
Donnerstag, August 23rd, 2018
Mildred Jean Thompson (March 12, 1936 – September 1, 2003)was an American artist who worked in the media of painting, drawing, printmaking, sculpture and photography. She was also a writer and, beginning in 1987, was an associate editor for the magazine Art Papers in Atlanta, Georgia. Critics have related her art to West African textiles and Islamic architecture; they have also cited German Expressionism, music (both American jazz and classical European music) and Thompson’s readings in astronomy, spiritualism and metaphysics as important artistic influences.
(Wikipedia)